Drop me your skype or Hangouts username and I could show you.
If you cant, Low pass filter on a saw Synth. Automate the pitch to give it the slides. Sidechain it, then EQ it to what you want. If you are making Melbourne, make sure you EQ the bass frequencies out. Distort it With a heating distortion and walla.
on Hard Trap - Synth 2 - 140 by Rileymicheal
on Melbourne Bounce Synth 13 by Rileymicheal
on Hard Trap - Synth 2 - 140 by Rileymicheal
on Melbourne Bounce Synth 13 by Rileymicheal
on Hard Trap - Vocal - 140 by Rileymicheal
on Hard Trap - Vocal - 140 by Rileymicheal
on Hard Trap - Synth 2 - 140 by Rileymicheal
on Melbourne Bounce Synth 11 by Rileymicheal
greets scolbeats from Berlin.
on Hard Trap - Synth 2 - 140 by Rileymicheal
on Melbourne Bounce Break 1 by Rileymicheal
https://soundcloud.com/leiitomeza/yoteditodo
on Melbourne Bounce Drop 5 by Rileymicheal
on Melbourne Bounce Drop 6 by Rileymicheal
on Melbourne Bounce Break 1 by Rileymicheal
https://soundcloud.com/jemuzutori/desolate
on Melbourne Bounce Drop 5 by Rileymicheal
on Melbourne Bounce Drop 3 by Rileymicheal
How did you make this?
If you cant, Low pass filter on a saw Synth. Automate the pitch to give it the slides. Sidechain it, then EQ it to what you want. If you are making Melbourne, make sure you EQ the bass frequencies out. Distort it With a heating distortion and walla.
on Hardstyle kick by Rileymicheal
on Hardstyle kick by Rileymicheal