This is a rather new-type of lofi I've heard since most lo-fi tracks tend to be much simpler. Great job! Sounds like a lo-fi version of Andromeda by Gorillaz.
I've never really experienced lo-fi until recently when I listened to one of Danke's tracks. I was hooked immediately.
This track is fluid. The motion and the dynamics keep it moving seamlessly. I love the transitions between the deep "wet" ethereal reverb and dry breaks. There are a LOT of elements in this thing. Not one of them is out of place, or commanding all of the attention. I think, for my money though, the bassline that comes in at 1:10 is the real star of the show. That groovy-A-F, and smooth line just keeps everything tied together and creates the perfect surface for it all to skate upon.
2:56 - The guitar is the perfect compliment to the bass guitar. Honestly, I'd liked to have heard more of it peppered throughout the whole song. The tones, and effects on it allow it to fit right in. About the time I'm really getting into the trippy groove that it brings, it's abruptly over. That, my friend is the ONLY criticism I have of this piece.
I will, over the next few days, be listening to more of your work. If it's all this good, I would suggest looking into publishing and putting out there beyond Looperman.
Thank you. I usually keep my tracks shorter for Looperman, but I'm not at all opposed to lengthening it. I think expanding the guitar would be a good idea as well. I would greatly appreciate any feedback you give on my other tracks.
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Immersing - With Jenna Evans by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
This track is fluid. The motion and the dynamics keep it moving seamlessly. I love the transitions between the deep "wet" ethereal reverb and dry breaks. There are a LOT of elements in this thing. Not one of them is out of place, or commanding all of the attention. I think, for my money though, the bassline that comes in at 1:10 is the real star of the show. That groovy-A-F, and smooth line just keeps everything tied together and creates the perfect surface for it all to skate upon.
2:56 - The guitar is the perfect compliment to the bass guitar. Honestly, I'd liked to have heard more of it peppered throughout the whole song. The tones, and effects on it allow it to fit right in. About the time I'm really getting into the trippy groove that it brings, it's abruptly over. That, my friend is the ONLY criticism I have of this piece.
I will, over the next few days, be listening to more of your work. If it's all this good, I would suggest looking into publishing and putting out there beyond Looperman.
Take care, man.
V.
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Fugue by HeathAlexander
on Lt Sara Bande by HeathAlexander
on Where Is She by HeathAlexander
Cary
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Where Is She by HeathAlexander
on Cpt Alimand by HeathAlexander
on Where Is She by HeathAlexander